![]() The issue comes in that masters are more likely to be DoS'ed by many events being returned at once.ģ005/3005.1 both exhibit this behaviour. It's a change in behaviour since before 3005, but possibly a good one. One could argue that this behaviour is intentional or desirable. This is where it gets a bit questionable. 3005 minions now return jobs spawned from the other masters too.Ĭonnect one minion to two masters, spawn a job from one master and observe the return received on both masters in the master logs. Before upgrading minions to 3005, the global master would only see returns for jobs it issued. All minions are also connected to the single "global" master that we use for adhoc jobs. They're split up into clusters of "a few" to "hundreds" of nodes, each of which has one or more masters. We have a large setup with thousands of minions. The blackouts are presumably the master being hosed due to inode exaustion. ![]() Here you can see the rate of job returns coincides with the number of minions running 3005. We noticed because the inode exhaustion caused the master workers to lock up, causing timeouts in minion logs which spiked in our logging collection. This directly correlates with the number of connected 3005 minions. The number of jobs caused inode exhaustion on the global master (see below) as more jobs were being returned and cached in the job cache. Before #61468 the minion would only send return data to the one master that the connected minion process that spawned the job. Such is the brutal lesson these Puffins learned the hard way.Since 3005, minions seem to send job return data to all connected masters, and not just the one master that initiated the job. ![]() When everybody is trying to be the next Minions, nobody ends up being the next Minions. They’re just another dead-eye CG animal in Arctic Dogs straining to make the youngest audience members giggle. There are so many characters in this one movie jostling to be the fan-favorite comic relief, which means that the Puffins never get a chance to stand out. There are way too many comic relief sidekicks in the film, including a pair of French otters and a simple-minded albatross voiced by James Franco. Still, even if moviegoers had shown up in droves for this title, it’s doubtful the Puffins would’ve made a large impression. Much like the Minions, the Puffins are largely silent creatures (save for one line of dialogue at the very end) who are numerous enough in numbers to carry out any scheme their boss concocts.Īny potential popularity for this Puffin army was immediately capsized by the terrible box office for Arctic Dogs. These puffins do the bidding of their malicious master, which entails melting the Arctic in a mad bid for power. Nothing can take away the enormous cultural legacy the original Flying Monkeys have in the world, but Legends of Oz: Dorothy’s Return certainly didn’t positively add to that legacy.Īmong the critters highlighted in the 2019 animated film Arctic Dogs is a collection of Arctic Puffins who work for the nefarious Doc Otto Van Walrus ( John Cleese). These characters just aren’t a good fit for this archetype. The dissonance between the historic reputation of the Flying Monkeys as intimidating primates and Dorothy’s Return’s attempt to make them the next Minions is never properly reconciled. However, even if it had managed to be more widely seen, it’s doubtful this interpretation of the Flying Monkeys would’ve become as big as the Minions. More anthropomorphized than past incarnations of the characters, these beasts also had a heavy emphasis on dialogue-free slapstick comedy and on driving their new master crazy.ĭorothy’s Return flamed out immediately at the box office and today is only vaguely known by even the most devoted Oz purists. The 2014 animated film, Legends of Oz: Dorothy’s Return, gave these monkeys a new master, The Jester ( Martin Short), and tweaked them to fit more into the Minions mold. Frank Baum created would inevitably involve these primates. The flying monkeys of Oz have long been some of the most iconic henchmen in all of fantasy cinema, thanks to their presence in the 1939 movie The Wizard of Oz.
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